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Author Topic: Crystal Lazer Portraiture  (Read 942 times)
Graham Serretta
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« on: March 01, 2006, 03:30:11 AM »

While at a trade show recently I came across an unusual form of portraiture.  A "scanning" digital camera is used to produce a three-dimensional image of the subject.   Exactly how this works, I don't know as there is only a single lens on the camera, but the image produced is literally 3-D.  The image data are then sent to a machine that etches the image into the heart of a block of glass crystal using two lazer beams.  Where the beams converge, the crystalline structure of the glass is altered to become translucent white, and thus the image appears to have the characteristic of acid etched glass, a frosty white.

Is this a new form of photography?  I think it is - all of the elements are there:-  subject, light, camera & photographic medium.  A search of the web brings up a company in China:
http://lasermachine.en.ecplaza.net/
that evidently supply the equipment, and who also manufacture those key-fobs and paperweights with images of flowers, insects and script in them.  Is this the ultimate in archival imaging?

The kind people on the stand allowed me to photograph one of their sample portraits.  The crystal block is about 3 inches cubed, and I used my Olympus OM2n fitted with the 50mm f1.4 MC Zuiko and a +3 dioptre close-up lens attachment.  I had to rest the camera on a small box and use the self-timer.  Flash was out of the question as I could not predict what the effect of the crystal block would be.  The camera was loaded with Kodak Ultra 400 colour neg, which I rate at 320iso.  Lighting was quite low, only the ambient lighting of the exhibition hall, and exposure was aperture priority auto at f16, shutter sounded like about 3 seconds.


Portrait in Crystal

What do you all think?
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Graham S
connealy
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« Reply #1 on: March 01, 2006, 07:09:09 AM »

Nice capture of a tricky subject.  I guess this is an application of holography?  I'm wondering if maybe the subject is rotated to get the 3D image with a stationary camera.
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Tom Hildreth
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« Reply #2 on: March 01, 2006, 07:57:39 AM »

Very interesting development. Nice shot, considering the restrictive environment. To ask the obvious, it was a 360 deg 3-D image, right? If you had been able to look at the back of the cube, would you have seen the back of the subject's head?  If so, my vote is  with connealy, as I don't know how else you could capture it with one lens.
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Major Black
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« Reply #3 on: March 01, 2006, 01:08:16 PM »

Nice job, good thinking, on the cube pic.

I am intrigued by this process. How much were they charging? Do they do full length or 3/4 shots? Wonder if they can do largere cubes?

This may be the most archival process along with traditional fotoceramica. Saw one yesterday that gets blasted daily with direct southern California sun. It was over 100 years old and looked like it was shot yesterday.
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mitspooner
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« Reply #4 on: March 01, 2006, 01:34:02 PM »

Ouch!! That is what me and my wife got for a wedding present 3 years ago. It's like having a civil war pic done. Sit in a small little booth and DO NOT move for 1 min. You blinked!! Start over. Again again again. By the way we got married in Las Vegas and if I remember the booth was from Japan or maybe China. Really nice pic of the cube, I have gottin good results by dimming the light and turning on the lighted base for it. Shoting at a angle can be tricky as the lines in the cyrstal can get all shifty. But it looks like they improved the etching in the past 3 years.
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Graham Serretta
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« Reply #5 on: March 02, 2006, 12:40:50 AM »

Quote from: mitspooner
Ouch!! That is what me and my wife got for a wedding present 3 years ago. It's like having a civil war pic done. Sit in a small little booth and DO NOT move for 1 min.


Can you answer Mike's question: ? "I'm wondering if maybe the subject is rotated to get the 3D image with a stationary camera?"
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Graham S
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