That short attention thing is biting me again... :rolleyes:
Okay, last week a neighbor in the 'hood sent me a request to shoot some portraits of her kids for Christmas pictures. When the initial shock wore off, I got really excited about it - sent her an explanation of the different formats I shoot and how each could be used for her portraits. She's given me a green light to shoot whatever, however.
Now, on 8x10, my favorite portrait lens was a Ross Petzval, but it's too big for 5x7. I started looking for a suitable Petzval, but didn't really want to lay out $400 on a new lens. Contacted my brass lens guru, who has a similar taste in bokeh to me. Now, swirls are fine for novelty, but I only like 'em in a conservative way for portraits. So springing big bucks for a swirly lens seemed wrong. I
do like creamy bokeh, falloff, and sharpness where it counts. This led me into a rapid rectilinear lens.
So, today my new toy showed up, just in time to distract me away from working on the Rolleiflex that consumed me yesterday: A Darlot
Hemispherique Rapide No. 2. I spent some time making a board of quartersawn sycamore, dyed it red to match the camera, finished it, mounted the lens, and, well, there you have it.

The importer's mark is clean on the barrel: W.H. Walmsley, Philadelphia.

I've read that this lens dates to between 1870 and 1880; the Vade Mecum says around 1890 or so, but mentions one identified as 1875. Regardless, it's the oldest lens I've got. Glass looks brand spankin' new, too, and has the Darlot insignia and name (with serial 3061) engraved on the hood.
My first French lens. Have it all mounted, ready to go. Taking it out back to shoot the boy presently. Woot!