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Author Topic: 100TMax in Beutler  (Read 507 times)
Julio1fer
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« on: April 07, 2012, 07:59:10 PM »

Having run out of traditional emulsions, I had to open a can of 100Tmax (TMX). I did it with great reluctance.

I know that many of you are TMX fans. But I've had very bad experiences with TMX and ID-11 / D-76 1:1, which is maddening since anything comes out well in those. Or in Rodinal at 1:50. No T-max developer is available here anymore, and buying chemicals by mail is a PITA. 

With my very limited choices, I thought of Beutler. After all, TMX is a contrasty, very fine grain film - exactly what Beutler was made for, IIRC.  It works, indeed. 11 minutes at 22 C in standard Beutler 1+1+8.

Two samples for those that may be interested.

My patient and philosophical dog waiting for my right focus. It was sunny when we started. The hairs in the eyes-nose area look sharp.



A racer against the clock, in the Tour of Uruguay bike race, last Friday. Very high contrast, the combination tames it quite well. I have no idea why the shadow is sharper than the racer. Maybe it is the acutance thing.



This is the first time ever that I get decent negatives from TMX! I know, there are zillions of developers that work well, but this is one I can actually use with the chemicals I have available.

FWIW, Spotmatic with Tomioka 100/2.8 and Raynette 23/3.5.
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LarryD
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« Reply #1 on: April 07, 2012, 10:01:10 PM »

It is a great film if used properly and in the right developer. It is also the first film of ISO 100 that I found to get base fog after one yer expired in a freezer..
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Tom Hildreth
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« Reply #2 on: April 23, 2012, 03:18:12 PM »

I shot a LOT of it. In retrospect, I wish I had stayed with Plus-X. TMAX had the super fine grain I was looking for, but the negatives sure scratched easily. (Maybe I should have used ahardener?  Just guessing-I never really knew what use there was for hardener. Maybe it's me, but TMAX seemed to produce really dead (white) skies without a colored filter. Even with a yellow filter (and now your down to ISO 50 equivalent) it was pretty lifeless in the sky.
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Julio1fer
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« Reply #3 on: April 23, 2012, 06:25:53 PM »

Tom, I did not have good clouds to test the sky this time. Next, I'll try a few different filters to see what happens. Will try to add to this thread.

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br1078lum
PFMcFarland
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« Reply #4 on: April 23, 2012, 07:47:14 PM »

Shot a roll of 120 TMAX100 today with a yellow filter.  I would have used an orange, but I was limited in shutter speeds and apertures (max ap 6.3, speeds available were 1/25, 1/75, 1/200), and it was very overcast.  I get them back tomorrow.

PF
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LarryD
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« Reply #5 on: April 23, 2012, 09:52:09 PM »

I know why the shadow looks sharper.. The motion of a shadow is not the same of a biker and the shutter speed and focus though on the biker got the shadow....
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radiophoto
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« Reply #6 on: June 04, 2012, 01:22:08 PM »

I've had pretty good results with 120 TMAX in 100 speed.  I bought two pro-packs from a Nelsonian a couple years ago, maybe Brad Bireley, can't remember now.  I've used several different developers, too.  I like very much what you got here, Julio!  Your dog is excellent.
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Pete (Corpus Christi, TX)
Every professional should remain always in his heart an amateur. - Alfred Eisenstaedt (1898-1995)
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Julio1fer
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« Reply #7 on: June 05, 2012, 06:12:57 PM »

Thanks, Pete. I should have tried this combination before, grrr, grrr.
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